From my own personal collection!

"GIRLS IN U.S. COLLEGE RECEIVE MILITARY TRAINING

These young girls are members of the Women's Auxiliary Training Corps, an organization for the voluntary training of American college girls in military tactics, courtesy and discipline. They belong to the first unit of the WATC, formed at the University of Indiana in the U.S. Midwest. The WATC, whose members wear bright red uniform coats and white flannel skirts, is similar in organization and routine to the Reserve Officers Training Corps, which prepares men students in American Colleges for commissions in the Army.

Here an ROTC officer explains the workings of a machine gun."

Jean Servais. Webber plays Tony Costa a professional criminal who holds honor above all else. As the film begins Tony witnesses his partner being gunned down by the police as they try to capture him. He risks jail and his own life to make sure that the man who informed on his friend is paid back in full, that is the code that Tony lives by.

Afterwards he leaves for Marseilles to meet up with old friend Jean (Servais) who wants him to take part in a high dollar diamond robbery he is planning. As he arrives tensions are already high as everyone prepares for the job. But further complicating the situation is the fact the mastermind of the criminal plan (Ennio Balbo) is a heroin addict and

that a fellow team member, Coco Hermann (Franco Giornelli), is also secretly having a affair with Jean's wife (Marina Berti). As they make their preparations waiting for the

be captured. It is obvious that the police have an informant among them, Tony is sure that it was Coco that alerted the police and caused his friend to get shot. Tony must find

his girl and get out of town fast, but before he does he will make sure that he finds the one that betrayed them, no matter what.

If you like crime dramas this is a movie you must see. Robert Webber does quite a job in the lead part. Webber adds a coolness to the character of

Tony Costa and really makes him believable as a dangerous criminal with his own code of honor. The supporting parts are also well done, especially Elsa Martinelli and Jean Servais who are always great to watch. A good portion of the film concerns itself with the planning of the crime while it's not until the last quarter of the movie that

the consequences are shown. The resulting tension, continually escalating, leads us to a conclusion that the audience knows will not end well for anyone involved, even if the characters never see it coming. If there is any real flaw it would be the 1960s Jazz soundtrack which now seems somewhat dated and can be annoying at times. While not perfect, Every Man Is My Enemy is a worthy addition to any collection of crime films.